| We Are the Romans | ||||
|---|---|---|---|---|
| Studio album by Botch | ||||
| Released | November 1999[1] | |||
| Recorded | June 29 – July 8, 1999 | |||
| Genre | Mathcore, metalcore | |||
| Length | 52:35 | |||
| Label | Hydra Head (HH666-41) | |||
| Producer | Matt Bayles, Botch | |||
| Botch chronology | ||||
|
||||
We Are the Romans is the second and final studio album by the American band Botch. It was originally released in November 1999 through Hydra Head Records,[1] and a remastered two disc edition was later released on September 11, 2007.[2] A Hydra Head repressing of the vinyl will see release on October 25, 2011.[3] The repress sold out on pre-order in under 20 minutes.[4]
"C. Thomas Howell as the 'Soul Man'" has been described by the band as satirizing Racetraitor and "other bands with these very lofty political ideals that seemed like more a marketing tool for the genre of political hardcore rather than a sincere agenda" (Brian Cook).[5] Bassist Brian Cook, who determined many of the song titles, credits J. G. Ballard's book The Atrocity Exhibition as inspiring themes of "the human body as a landscape, and the way that culture and environment sort of dictates the human body and vice versa."[5]
Contents |
All songs written and arranged by Botch.[6]
| No. | Song title (working titles in italics)[6] | Notes[6] | Time |
|---|---|---|---|
| 1. | "To Our Friends in the Great White North" (demo) "Canada Song" or "Tasting Like a Hot Lunch in Amsterdam" |
We Are the Romans demos Recorded live on Digital Audio Tape by Matt Bayles at Studio Litho May 31, 1999 |
5:17 |
| 2. | "I Wanna Be a Sex Symbol on My Own Terms" (demo) "Latin Song" |
3:41 | |
| 3. | "Transitions from Persona to Object" (demo) "Circus Song" or "Saturn Aligned with Mars" |
6:34 | |
| 4. | "Mondrian Was a Liar" (demo) "Bam Bam and Other Assorted Onamonapeia" |
3:02 | |
| 5. | "Saint Matthew Returns to the Womb" (demo) "F.I.M.D (Top Secret! Don't Ask!)" |
3:21 | |
| 6. | "C. Thomas Howell as the 'Soul Man'" (demo) "C. Thomas Howell as the 'Soul Man'" |
4:25 | |
| 7. | "Man the Ramparts" (demo) "Man the Ramparts for There Are Fair Maidens Aplenty" |
6:33 | |
| 8. | "Saint Matthew Returns To The Womb" (live) | Live in Seattle April 21, 2001 at Graceland |
4:20 |
| 9. | "Vietmam" (live) | 3:13 | |
| 10. | "Transitions from Persona to Object" (live) | Live in France November 11, 1999 |
6:01 |
| 11. | "Hutton's Great Heat Engine" (live) | 6:19 |
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AbsolutePunk | (93%)[7] |
| Allmusic | [8] |
| Drowned in Sound | (10/10)[9] |
| Exclaim! | (positive)[10] |
| Montreal Mirror | (9/10)[11] |
| Punknews.org | [12] |
| Stylus Magazine | (B+)[13] |
| This table needs to be expanded using prose. See the guideline for more information. | |
|
||||||||||||||||||||